Inspelning av låten ’Because’

Låten som de skulle arbeta med var skriven av John Lennon och heter Because. Bakgrundsinspelningen gjorde under inspelningssessionen som varade från kl. 14.30 till kl. 22.30.

Det behövdes 23 försökt för att det skulle bli perfekt och tagning 16 ansågs vara den bästa tagningen. Det var bara tagningarna 1, 16 och 23 som var kompletta. Detta gjordes mellan kl. 14.30 och kl. 19.30.

Mellan kl. 19.30 och kl. 22.30 började John, Paul och George Harrison att spela in sina sångstämmor. Den slutliga inspelningen kom att innehålla tre set om tre röster. De var bara de första setet som spelade in under denna session.

 

John Lennon's handwritten lyrics for BecauseJohn Lennons handskrivna text till ’Because’.

George Martin:
On ‘Because’, for example, very much a John song, it needed the combined singing of the three men. So obviously it became a joint effort…

That particular track started off with John having the idea, the sort of riff on the guitar, which he played to me, and the basic song which he sang to me. And what we did then, we created a backing with him still playing the guitar, that riff, and I duplicated exactly every note that he played on the guitar, on an electric harpsichord, and Paul played bass.

And there was nothing for Ringo to do, because we’d not got drums in. But in fact there was something for him to do. Because it was so slow, and meticulously, the question of ensemble between the guitar and the harpsichord, each note had to be exactly together. And I’m not the world’s greatest player in time, and I would make more mistakes than John did. So we had Ringo beating a hi-hat all the time, to us in headphones, so we had a regular beat. We didn’t have drum machines in those days. So Ringo was our drum machine, and that was the way we did the track.

Lennon, McCartney och George Harrison lade sina tre stämmor på spår sex. Dessa överdubbades två gånger till den 4 augusti 1969 vilket gjorde att man fick hela nio rösters sång. John sjöng mellanregistrets huvudsång, George sjöng den lägre harmonin och Paul sjöng den höga harmonin i falsett. Sedan, vid nästa session, överdubbades ytterligare två vokalharmonier. Detta skapade tre spår med de tre vokalharmonierna, vart och ett med de tre röster som George Martin hade utformat. Detta gav sången ett rikt, rikt ljud.”

George Martin:
Having done the backing track, John, Paul and George sang the harmony. Then we overlaid it twice more, making nine-part harmony altogether, three voices recorded three times. I was literally telling them what notes to sing.